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Extension 1

Postmodernism

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Adaptation, script by Charlie Kaufmann

This is a work in progress. Feel free to fill in the gaps for yourself.

Structural features of text

Analysis

Supporting quotations

Concept of adaptation

 

 

 

 

  • Adaptation of early life forms
  • Adaptation of “The Orchid Thief” by Susan Orlean
  • Discussion of the adaptation with Valerie
  • Orlean’s adaptation of her interviews into a book

Laroche: ‘Adaptation is a profound process … figure out how to survive in the world …”

Kaufman: “It is a journey of evolution. Adaptation. The journey we all take. A journey that unites each and every one of us.” P40

Charlie Kaufman as narrator: use of the interior monologue

 

 

 

 

  • Anxieties; low self esteem; indecisive

Opening voice over

Real people fictionalized: Orlean, McKee, the Kaufman brothers

 

 

 

 

 

Use of flashbacks

 

 

 

 

  • Orlean begins writing her book as Kaufman begins his adaptation

 

Imaginative recreations

 

 

 

 

  • Prehistoric world
  • Darwin
  • Orchid hunting in Borneo, China

 

Movement from ‘reality’ to fiction and fiction to ‘reality’

 

 

 

 

 

Stories within stories

 

 

Kaufman’s adaptation of Orlean’s book:

  • Writing the script
  • Charlie and Amelia
  • Charlie and Donald

 

Susan Orlean and the adaptation of ‘The Orchid Thief’

  • Writing for the New Yorker
  • Relationship with husband
  • Relationship with Laroche
  • Laroche’s past

 


 

‘Language’ features of text

Analysis

Supporting quotations

Use of the voice over (VO)

 

 

Black screen for Charlie’s first speech

 

Handheld camera in ‘Being John Malkovich’ sequence

 

Gives a documentary feel; heightened realism

 

Use of titles with flashbacks

 

 

Labels sequence as a flashback

 

Time lapse photography of daisies at the end

 

 

Shows their adaptation to their circumstances: day to night

 

Sepia tint to Charles Darwin sequence

 

 

 

 

Voice over to bees and flowers

 

 

Voice over turns natural process into description of love making

 

Flower show

 

 

Voice over takes on two levels: literal and metaphorical meaning – flowers and women

 

Use of botanical language to characterise Laroche

 

 

 

Use of language to characterise Donald

 

 

“… I need a cool way to kill people.”

“…I tried to split the Cassie scene in half …Because I wanted there to be more tension … That way the audience gets hooked early on.”

Use of humour/pathos

 

 

 

First date with Amelia: “They look at each other. It’s a kiss moment. Nothing happens. The moment passes. Kaufman is embarrassed. Amelia seems sad.”

In car with Amelia: “Why didn’t I go in? … I should just go and knock on her door now and kiss her … I’m gonna do that right now.” Kaufman drives away.

 

 

 

 

 


 

Postmodern features

Analysis

Supporting quotations

Charlie and Donald as ego and alter ego

 

 

 

Examination of gender: expectations of the male

 

 

 

Real people become characters: Orlean, McKee

 

 

 

Reality becoming fiction; fiction becomes reality?

 

 

 

Discourse on narrative

  • Discussion with producer, Valerie, on the Hollywood movie
  • Discussions with Donald on scriptwriting
  • Discussion with McKee on scriptwriting
  • Resolution of the film
  • Charlie talking to himself in voice overs

 

Discourse on the Hollywood movie with Valerie

 

 

 

  • … artificially plot driven
  • …like an orchid heist movie or something”
  • …changing the orchids into poppies and turning it into a movie about drug running …”
  • “I don’t want to cram in sex or guns or car chases”
  • “Or characters learning profound life lessons.”
  • “Or growing and coming to like each other or overcoming obstacles to succeed in this end.”

Blending of genres

 

  • Comic drama: the scripting process
  • Thriller: Orlean going into the swamp
  • Romance: Kaufman and Amelia

 

Use of ‘Being John Malkovich’

 

 

 

 

References to Hitchcock’s Rear Window when Donald spies on Susan

 

 

  

 

 





































 

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